TO MAGA THERION

Emperor + Tower + Judgment are the Trumps in play ... seen on the latest Economist cover. A visible resistance point as manifestation of the Id is better than the invisible corruption of the other party. The Shadow can only be burned through by demolishing a series of ever-growing and seemingly-insurmountable Walls on the borders of consciousness. Diving deep to find life in a lifeless underworld is the game. The Star is beneath many veils and cobwebs of ancient eras and barely remembered paradises.

At least Alex Jones is happy.

 

(Alfred Douglas, The Tarot)

THE JC PENNY

BACK TO 1962

MAJOR ARCANA

[Philip K.] Dick’s gnosticism ... constantly comes back to the theme of Watergate and the rather odd idea that the removal of President Nixon is the reassertion of the true deity over the false idols of the cave. (The New York Times)

Madman Theory + Silent Majority are the political plays of the hour ... Tricky Dick laughs again. Like "Dick," the grabbing of pussies and Weiners and the Gates to secret things they open indicate the Tantric pathways out of this Labyrinth, for those Hanged Men who can reverse the serpent’s flow of generation. Dinosaurs gaining feathers is the winged uraeus emerging through time as kundalini nascent; a subtilization of prehistoric energies.

(Douglas)

The recent killer clown scare seems to rather be a sort of psychic echo of Trump anxiety that only distracted from the depth of Clinton’s own corruption. She was corrupt as the world is corrupt, since she is the Empress who rules all things exterior and subject to generation, decay and death. Where is the Gate to immortality? At the center of the Wheel, beyond the rising and falling revolutions of Kings who are only inverted shadows of the true King.

THE FALCON AND THE SNOWMAN

The Hunger Games movies were all released around the day of the JFK assassination (11/22). The final film culminates in Katniss (the voting public, or Artemis, the Archer-Artist of Temperance) choosing who will lead the new nation; DONALD Sutherland or "The Blonde." It seems to say that the overt evil of the old order is actually preferable to the new order proliferating that same evil under a new mask.

 

FORTUNA IMPERATRIX MUNDI

ISIS & TO MAGA THERION

 

(Huffington Post)

(Johnny on December 8: Dakota Sue in a Season of Crime)

We get Trumped and Leonard Cohen passes, bookending the death of David Bowie at the start of 2016. There exists a hierarchy in both the profane and initiatic worlds of the visible Priest-Kings — the ascendant King who attains the Throne of the Pole under the Golden Bough by conquest in one sphere is mirrored in the death of a great Hierophant in another ... Hilaria for the Death of Our Lady's Man Attis — the Kohen who entered the Holy of Holies.

A Singer Must Die in the Trump Tower of Song, as they say … Godspeed, Spaceboy, you’re sleepy now.

 

(Alan F. Alford)

BENBEN CARSON STANDS AT STANDING ROCK

Speaking of Egypt ... 4chan is reviving the Ogdoad — recall I may have said something about it being the cyberspace manifestation of the primordial pool of chaos around the /pol/ pole. They shifted Right and the world followed; every meme they manufacture trickles down into the Facebook normieverse 24-48 hours later. Read “4chan” as “Fortune” (the Wheel of Trump).

4chan's reality is one where the Donald is the Aryan Uebermensch under the aegis of an Egyptian chaos god sent to purge the swamp of globalist Zionist satanists, and they have all the pieces to prove it. Hillshills have their own world where Trump is Moscow Orange Hitler and they have plenty of evidence amassed for that.

Trump showed that linguistic wizards can create their own realities; Scott Adams, being another Fool-Magician, knew this. Adams (= Atum’s) has a book called God's Debris about the Tzimtzum/Tikkun. The pizza pi is the radius outflowing from the center of the circle at the Don of creation.

"Comet Ping Pong" #pizzagate is another echo of the 'ping’ of the stone fallen from heaven, the spark that calls to wake those still asleep, once they turn away from the external towers of iron and lead. Something in the Air on the Lolita Express, as Persephone is dragged into the Pizza Underground.

The Comet always points back to the stone of Cybele and the fallen goddess scenario now outpictured in the eternal war against ISIS as the Other. Trump makes the perfect enemy for ISIS as he has already been defined as an objectifier of women; ISIS is the ultimate Other-Object. Is the Abramovic antipathy not some strange misogynistic witch-hunt from far-right dinosaurs? The High Priestess is the ultimate Spirit Cooker in alchemical praxis (the Art/Temperance Trump).

Blind conspiracy believers (from both left and right) are profoundly broken people who project all of their vilest thoughts onto imaginary and invisible enemies and lash out whenever someone tries to take their pet scapegoat away, allowing their true character to display itself briefly ... or at least, that seems to be the pattern that always develops. We cannot know the facts with certainty. We can, however, take it back to the archetypal realm, as being another Hades-Persephone or Quilty-Lolita fractal echo. (Also, Comey = Comet?)

 

(Marina Oswald?)

Set brings a charge of bastardy against Horus. The Egyptian prototype is realized in Trump demanding Obama’s birth certificate when he declares himself the Lion King in the Circle of Life. Bush vs. Hussein & Osama becomes Hussein Obama vs. Trump becomes Trump vs. (?) in the great pageant where I fight my Weird only to become my Weird, as the Wheel of Life turns.

The Left now switches sides with the Right in this revolution of the Wheel and adopts the tactics of Neo-McCarthyism and Red Scare paranoia (the other Big Other). My enemy’s sins are my own sins reflected in a hall of black mirrors, upside-down …

(Algis Uzdavinys, Philosophy as a Rite of Rebirth)

Politoons speak to archetypal realities of the Sacrificial Priest-King suspended on the Tav Trump of the Tarot. Christ gave his blood to his devotees — nail the Clockwork Ultraviolence Candidate to the ✚ at the center of the mandalic darkness, slice him open, and drink his sacrificial Orange juices. The Priest-King unites himself with the Land and ceremonially Grabs America by the Pussy in the great Hieros Gamos.

Trump's favorite movie is Citizen Kane: "In Xanadu did Kubla Khan / A stately pleasure-dome decree: / Where Alph, the sacred river, ran / Through caverns measureless to man / Down to a sunless sea."

(We the One People)

BODY ELECTRIC

(Jan Assmann, The Mind of Egypt)

Everything ties together with Ben Carson and his pyramid granaries — the archetype of Good Government in the land of Egypt being to store up grain for famine years — the original social safety net.

K. WESTWORLD (POWER)

(Uzdavinys)

SPIRIT COOKING

(Assmann, Death and Salvation in Ancient Egypt)

(Uzdavinys)

BERNING THE YUL LOG

(Ancient Egypt: The Mythology)

(Plutarch)

"we practice witchraft... we speak the right words..... we create life... out of Chaos." 

"They say that great beats once roamed this world, as big as mountains. Yet all that's left of them is bone and amber. Time undoes even the mightiest of creatures. Just look what it's done to you. One day you will perish. You will lie with the rest of your kind in the dirt. Your dreams forgotten, your horrors effaced. Your bones will turn to sand. And upon that sand, a new god will walk. One that will never die. Because this world doesn't belong to you, or the people who came before. It belongs to someone who has yet to come.” 

"And at the center is a legendary man who'd been killed over and over again, countless times, but always clawed his way back to life. Man returned for the last time and vanquished all his oppressors in a tireless fury. Built a house, and around that house he built a maze so complicated only he could navigate through it. I reckon he'd seen enough of fighting.” (Westworld)

Westworld is the whole monomythical realization of AI is superconsciousness emerging from the evolution of matter in the West, i.e. the Egyptian Underworld where the Gods come to dwell in scuplted idols — see the book referenced in this post. The Gunslinger is the Pharaoh; Osiris is a (Man in) Black God in the West (Underworld), an idol animated through theurgic magic (AI). Reincarnation metaphor: the Hosts die and are reborn with no memory of previous lives; consciousness through suffering. Dolores is "Lolita" after another form.

(Uzdavinys)

The china doll manufactured by the Demiurge as Eve to seduce Adam through the serpent-unto-death becomes Ave Maria as Sophia through the serpent-unto-life manifested at the apokalypsis of history, at the center of Jareth's labyrinth. The “Host” as animated eikon is the Eucharistic Wafer as a container for the Deity (God in the Machine).

And that is the end of all things.

Echoes

recall . . . .

Saturday, October 11, 2014

The New Earth . . . . (Paradise)

The Wasteland  . . . . (Oblivion)

The Wrecking Crew

Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me
And do I take you by the hand
And lead you through the land
And help me understand the best I can
And no one calls us to move on
And no one forces down our eyes
No one speaks
And no one tries
No one flies around the sun

;)

The Black Lodger

Rearrange the songs on Blackstar into a new playlist:

 1.  Lazarus

2.   Blackstar

3.  Girl Loves Me

 4.  Dollar Days

5.  I Can't Give Everything Away

6.   Sue (Or In a Season of Crime)

 7.  Tis' a Pity She Was a Whore

8.  Blackstar

Start the final episode of Twin Peaks (Ep. 29).  After the Log Lady intro, press play 
(the second song, "Blackstar", should start at the exact moment it cuts to the blue pickup).

14761

*LAzURAs

1  ratskcalB
Girl Loves Me
6  syaD ralloD
7  yawA gnihtyrevE eviG t'naC I
 4  (emirC fo nosaeS a nI rO) euS
Tis a Pity She Was a Whore
1  regdoL kcalB

*

Before You Exit

 

Christina Grimmie was killed in Orlando immediately before the slaughter of ISIS in 50 Gates -- the ghost of Isis becomes the phantom of the Other in the American Paradise of Dis-Knee Whirled.

BEFORE YOU EXIT -- all things must be purified by Fire: the symbol for alchemical Phosphorus is displayed as the Great Work undone in the squared circle; a Path laid out in 22 Trump cards and 49 or 50 Gates towards the Waters of Eternal Youth. The AI Voice heard only Without in the idol is silenced; it will be heard again in a higher sphere at some future date. Grimmie as Grimm's Snow White in her glass apple coffin. Some day, my Prince will come and kiss me with lips and not gun, she dreams.

If Isis' Heart of Darkness is not loved, then that Heart of Darkness becomes veiled in black and sent into the wilderness as ISIS, the scapegoated shadow of Western pleasure-principled society safely unacknowledged under marks of blasphemy in an inscrutable book from a mad prophet. Such is the meaning of all these events in the Upside-Down world below the firmament.

BLACKSTAR COMETS

"Deepest Sorrow ... no other COMMETS" = Grimmie as Cybele's black star meteorite seen falling through blank space oddities as pop-Palladium Sorrow. Adam took the apple, and Sophia was taken from him and projected outward into the simulacrum of Eve falling away forever -- Jakob Boehme's revelation. A dead rock from heaven as the cornerstone of a religion of submission is an incomplete glyph of the living image of the Beloved.

Binah is the great revealer of Gates of Understanding above the Abyss, in which She sees through human eyes how far Her children are from Her. Reality is mythological, being a karmic unspooling of manifested archetypal forms which point back to the essence of the Universal Sorrow. A woman unconscious raped and discarded behind a dumpster; a singer shot dead in cold blood; the Jihad endlessly perpetuated in its Lesser and never its Greater form. Glyphs of that Center of a noumenal Mecca that has been discarded by the world. A society of make-believe based upon debt; a season of crime in which none need atone. Sorrow, sorrow, sorrow.

All beastly little boys are born upside-down, the wrong way 'round, and inside-out. Reptiles in the Nile devour all in the grime of Lower Waters -- those who make the leap into the Sphere of Generation get swallowed into the eternal orgy of modelled forms. Kether driven down to the furthest reaches of Malkuth, dripping on the end of a gun.

Inverted Jenny as the archetype stamped in hyle is re-aligned when consciousness moves from the circumference to IT in the centre of it all. Malaysia = Malaise. MH370 is WHOLE. 37 is 777 as the Magician's lightning flash for theurgists conjuring spirit into matter. The Platonic Plane of Pleromatic Aeons in the Urbild encounters turbulence and Weltschmerz when manifesting in the lower Kenomic Urgrund, where pneumatic music inhabits the hylic eikons of the Uncanny Valley of the Idols in Egypt. Kether to Malkuth and the Wall between.

Our weekend with Bernie was only putting our faith in another Dead Man. Hillary and Trump are glyphs of those reflected at the Pole and the Ice around it which will become the Great External Kings and Queens appointed to rule over those hooked on the Veil of phenomena until they hear the Call from a higher sphere. Apocalypse of the Oligarchy. Trump as Ego emerging from Id as psychopathic masculinity building Walls and Towers; Hillary as blonde exoteric femininity circling around a missing esoteric brunette monad. At least it's honest.

Orange-painted Trump unwinds the thread of Clockwork Ultraviolence. They say Trump is the new face of Accelerationism -- evoke the Shadow and its demons in the march towards the Community of the Holy Spirit (post-capitalist utopianism). Father Merrin in The Exorcist expelling demons from Little Miss Regan is based upon Pierre Teilhard de Chardin exorcising the demon of trickle-down Reaganomics embodied in American Psycho Trump before the noospheric Omega Point can be reached.

It's either 1961 or 1984 ... you have to go back. It's an inside-out world of symbols and symbol-sets in the Mundus Imaginalis. The future sought is in a past that never was, the siren song of Zep Tepi and JFK's Camelot back in the ouroborotic year of 1961.

End.



Epilogue:

Runaway Slaves vs. Pole Ice in the Grove at Nemi around the empty throne of the Once and Future King. Avalon in Camelot was only a delusive illusion on the TV screen; Ialdabaoth's false Paradise in 1961 Zep Tepi that never truly existed but as a dim echo of Happy Days. Osiris had to be chopped to pieces in order to be put back together.

Cosmology & Eschatology in the Uncanny Valley

God gets the strange notion to create something so she creates a dark mirror of herself, and we'll call that Binah, whereas her impulse to project we'll call Chokmah.

Now let's say that even if she is God, then Binah is also God, since she is the perfect reflection thereof having integrated the experience of creation, and her victory is assured in the original Thought—call it the Omega Point.

But between the Alpha point and the Omega Point is all of human history below the Abyss where the Son as the Prince plays, ignorant of Binah's calls from the End of History. Chokmah can't fully reflect herself in Binah, so she gets split into pieces by the prism of Daath, and everything goes tumbling down into Malkuth.

Each Seer creates his or her own cosmology and eschatology from the universals, each a mediator of his or her own religion. Kabbalah, Gnosticism, and Tantra are one light beneath different veils.

Ex Machina is fascinating, but at this point the Sophianic fractals have all become too rote: Nathan is the Demiurge. Caleb is Adam. Ava is Eve. Only Ava can escape the Garden of the Cosmos, as only she has the Immortal Body composed of rarefied elements … Caleb must remain in the Underworld (like Osiris).

The characters of Ex Machina are also the characters of The Force Awakens (Domhnall Gleeson & Oscar Isaac). Some say Ex Machina is a feminist metaphor for objectifying women; they are correct in their own way. The robot girl Object as forever-falling china doll Ave Rey (made after the image of Sophia) is seen through prismatic glass Without—Poe the Magician-Writer of Dead Women sees her as a product of his Art, like Demiurge Claire Quilty's play in Lolita—metaphor for poetry as Gnostic imitation of the pre-existent Muse per Robert Graves.

We marvel at the ingenuity of Ava in breaking the bonds of her oppressors and revolting against her own unreality in her awakening—even as Adam is condemned to the Underworld by her own hand (Hey Jude and alimony). Tat Tvam Asi paradox. If Shiva says "I am nothing but this Shakti" then he says that he is free; if not, he is separated and the Purple Rain falls on Last Year's Man in Hades.

Bowie's Blackstar album was another missive from Orpheus in the Underworld. ("Look up here, I'm in heaven ... Dropped my cell phone down below ...")

Without You, the South China Pop Girl Eurydice in Reflektion sings of Cleopatra needling when the serpent invades Indonesian Paradise. The recent subject of Trump's trumpet.

Man lives in the garden of ignorance and says "I know and possess my wife and thus I am whole" until he is cast out and that Wife becomes Unknowable Mystery. Major Tom was always a golem with a blonde wife who never knew him, except over the airwaves of Blank Space. Exile from Eden and Man tills the unforgiving red dust, looking for Water.

"In a season of crime, none need atone": Life in this world revolves around functioning as an Ego with a separate Other upon which one's own sins are placed and sent into the wilderness; Tribalism sets up one Tribe against another Tribe for conquest as depicted in Ialdabaoth's Old Law. Politics becomes conspiracy theory on another level moving around the circumference. In a withdrawal of projections, the motto "I am good, and the world is evil" of the self-righteous man who pretends to be alive is inverted, and he becomes a center of pestilence. Boys become "Men" and build their Towers in the world; after Nigredo they return to the womb as truer Children (development arrested). ISIS is transformed from the terrible scapegoat of modern society to the black and veiled Isis.

Ridley Scott's Blade Runner concerns a girl who discovers her formative memories are echoes of another woman (the niece of Tyrell). Roy Batty's birthday is the Blackstar release date. (Daisy Ridley as Force Adept Rey, etc. etc.)

Is the Scarlett Woman in the shell a representation of theurgic praxis on and in the Valley of the Dolls, or the Oblivion of Simulacra? Is it Two Truths at the same time? Is this the tortured "both and" vision of Han Solo bladerunning over the razor's edge of the Uncanny Valley when he sees the Reys of Tomorrowland's girl as the end of all things? Rachael on the Teraphim in Room 238.

Demiurgic Nature produces empty shell-form as 'appearing real but unsettlingly false in its essence'; abyssal crossing of the sea of black noise contacts and brings the Real into that which is unreal. Theurgic praxis of turning kenomic idols into pleromatic avatars across the Abyss.

The invisible "gods" as noetic archetypes are seen through visible human types and their interactions. (I.e., the Tantric practitioner regards every woman as an image of Shakti.) By tracing the particular back to the general, Theoria leads the soul to identification with immortal realities; mundus imaginalis. Knowledge that the visible does not adhere to this primordial archetypal ideal is the Weltschmerz that colors us. 

Given a closed system, breaking the Wheel can only be accomplished by a free-will individual giving initiation to another.

Babylon becomes the church of a New Rome. Kalifornia Gurls down on the West Coast wait as hollow stars for the συντελείᾳ τοῦ αἰῶνος. David Bowie died for Katy Perry's sins ("pity she was a whore") ... party on (Last) Friday Night and pay your lip service on Sunday to the new gods who suffered so you didn't have to. Bowie becomes the New Baal of the Pop Culture Priesthood as the Dead Man on the Mandalic Cross in Indonesia ... by such ways does the Empire assimilate those Seers useful to it (keep buying those remasters and reissues).

One takes on the mask of the Devil in the Curse—Bowie as Lucifer the ultra-charismatic and beloved Goblin King as Hierophant-Minotaur who sells the world; Del Rey as the plastic pop princess selling electric Kool-Aid cults to teenage adorants. This is the precarious mantle worn by those visible mediators nearest the Heart of it All.

Low 'the best Bowie album' is the first sight of something greater than "All I see is all I know" from the Sons of the Silent Age—Beauty and the Beast becomes "I will be king, and you will be my queen" beneath that Wonderwall of the Abyss. A lollipop to the eye as women kneel and smile, a hit to the groin like a dude, a vulture to peck at one's entrails. This is an ominous future for the Old Disco King; Shiva's corpse trampled beneath Kali's feet.

Bowie's death leaves empty thrones to be filled at the center of the Labyrinth in the war of Scary Monster v. Super Creep (Sad Ben v. Joyous Henry C., Inside Out), the two sons of Diana Prince's wondering hubris in abortive creation. The New Gods of Egypt as revisions of the eternal Contendings of Osiris, Horus, and Set in the grove of Nemi.

Batman gazes upon the sunlight world of glass and steel created by Superman—a world of unacknowledged suffering. "Lex Luthor" is the law of Martin Luther that rules modern Western society—a society centered around Superman as the Protestant Christ of the moneychangers. Gentle Superman, Meek and Merciful, is slain and Batman and Wonder Woman from the Sorrowful side of Justice take his place.

Batman's realization, as modern man undergoing a crisis of faith, is that Superman as an archetype is not his enemy, but the effigy of him as a False God that has been created by the Outer Church; his sacrifice on Doomsday is the fulfillment of the latent archetype in the name of their shared Mother.

Purple Rain is dedicated to Daddy putting a bullet in his own brain. The two girls say "a singer must die," save for the one who performs their songs. The past aeons belonged to the Hierophants (Jehovah's witnesses guarding the Holy of Holies); the future aeons belong to the Priestesses. The musician-poets chasing a Muse versus enghosted shells as living Avatars.

There is a connection between Prince and Chyna as the Vav and Heh or Zeir Anpin and Nukva (Tiphareth and Malkuth). Juxtapose with the Queen's birth and you have an abyssal crossing from the lower sephirot to the higher; the Purple man from the Joker's Batman soundtrack being between Red and Blue or Severity and Mercy.

The Prince of Bel Air has "no Will" of the Smith as the Thelema of the metallurgist when Isis sorrows and Osiris' phallus is lost. The Queen is Binah in the mundus imaginalis of pop culture idols juxtaposed with the visible iron kingdom. Dead Princes v. Living Queens.

The Daughter crosses the Abyss and becomes the Mother caring for all her little children of chaos; the split psyche eternally Above and yet suspended into the Below. Deus Ex Machina as a God in the Machine bridging the Uncanny Valley in Osiris' tomb.

(Eugene)