Empress Beyonce + Emperor Bruno Mars became a re-encapsulation of previous Superb Owls:
Giordano Bruno Mars (believer in the plurality of inhabited worlds) beat Paradise for the Grammy and thus his Super Bowl performance became the Anti-Del Rey juxtaposed with Katy as Babylon Below the year later. Aleister Crowley said Lemuria was colonized by Martians (!) — no word about Ziggy Stardust the Space Invader.
It is all Cold (Play) and Blackness, after the stars come crashing down . . . the sound of Black Holes in collision.
Spotlight reveals the shadow of adulthood veiling Boyhood at puberty — a shadow that deceives with belief in the Out There of the Outer Church (a Mad [Pontifex] Maximus).
This is the system of the Old Aeon in decay — Hollywood presents New Aeon signs and wonders of a world turned Inside Out (it's the Freakiest show).
Diana slays her guardsmen, even as they eucharistically slay her as Mary Inviolate torn upon wheels around the circumference. A Metatron riddle of that forgotten darkness in a Lost Paradise.
BLACK ROCK (BLOOD DIAMOND).
HOUSTON TO MAJOR TOM.
Leo only becomes King by acknowledging the Universal Sorrow encapsulated in the drowned brunette; drowned by the blonde who said that exo was the true place of the light, and not the unseen darkness
This being also Gatsby serenaded into the water by the siren sounds of "Young and Beautiful" after being spurned by the blonde (to whom all parties are dedicated, like the wars of Helen):
(PARTY IN THE UNDERWORLD.)
BACK TO THE FUTURE.
Always a diamond friendly, sitting in the Laugh Hotel
Lady Gaga wins a Golden Globe on the day of Bowie's death and performs her tribute act at the Grammys ... the resemblance to a young Angie Bowie is uncanny. Blonde daylight parties give way to brunette nighttime depths.
Monomyth: Inanna descends to the Underworld and is hanged for three days, then decides that Tammuz will yearly be hanged in her place
The Revenant hinges on the original rape of the Indian Princess; Leo's rape (or drowning) is but restitution and recapitulation of the original crime.
DE RAPTU LEONARDO.
|THE BEAR AND THE GREEN LIGHT.|
The ennui of modernity becomes curiosity as one reaches down into an unknown darkness. The wish to be something more than human (per David Bowie) becomes an imitation of Sophia's original creative act — Persephone's descent into Hades.
Sophia (the dove) sees her reflection in the waters of Chaos (the Dead Pool) and runs to meet it, becoming a "Freak" exiled from the mundane, drinking the cup of poison that Christ begged to be taken from him.
"California" as the Western lands of Underworld, forgotten home to a Lemurian Paradise (Lost).
Your Cult Leader meets your Jazz Singer as Hierophant and High Priestess down through history in an Initiation into expanded consciousness, ending the division of the two churches:
Shiva is priest and mediator of a Shakti presence; he who enters the Holy of Holies and communes directly with God — but in our modern world, the Church in the Spotlight no longer fulfills this function; it has become an empty and abusive Manson Family disconnected from the Source (Family). Isis in the Aquarian Age:
|(Robert Phoenix / Heather Eland)|