Wherein Taylor is revealed as Kenoma delusively imitating the Pleroma in her Colonialist plagiarism; but the Pleroma can also be seen manifest in the Kenoma as its hidden center (or else the Kosmos could not hold together--"the falcon cannot hear the falconer," or, "Major Tom cannot hear Ground Control").
The blonde's visible siren sparkles can only be grounded upon the appropriation, exploitation and plunder of the brunette's invisible indigenous cultural back catalog, just as the Unreal must take its inspiration from the Real.
|MAD MAXIMUS + KATNISS EVERDEEN.|
Miley Cyrus is what conservatives think modern pop music is like, in much the same way that conservatives think ISIS is what Islam is like. Living parody made manifest. Taylor Swift is the modern Helen of Troy, which is why she is accompanied by War in all its modern forms; a War which on a higher level is the blonde, be it Taylor or Miley, fighting the brunette, be it Nicki or Katy. All of these various Idols that pass before the vision of Pharaoh Kanye are thrown into the fire and purified of dross; who will emerge?
|THE WALLS OF TROY.|
|SUN & MOON CULTS.|
|Blood from Her wherever|
THE SHARDS OF HOLINESS (RECTIFICANDO).
THE SHARDS OF HOLINESS (RECTIFICANDO).
The Moon as the central principle of reality, and on the Gnostic revelation that the Moon is a Mirror of the Young Sophia as She pulls away from the Cosmic Male (ADAM) and in so doing gives birth to reality … the material body of reality springs forth when the Sophia pulls away, literally turning her back on her male aspect, who is called Cosmic Christ. (The Wrong Way Wizard)
|ADAM IN THE PARK (WEST/WARD OF EDEN).|
LIGHTS CAMERA ACCIÓN: YOUR CHINA DOLL (FALLING).
The mind revolts at the absurdity of the world and thus picks apart bricks instead of the whole edifice. Any attempt by Hollywood would be considered more believable. A man shot Taylor Swift on live TV. Reality is unreal. The red dress as a matador's cape evaded the raging bull-ets, or, rather, the blonde in her adrenaline rush "Shook Off" the 9mm heat like Taylor with her haters. "Band aids can't fix bullet holes …"
Moneta is "Old Money" … the Blonde Eve as that which is Without falls away from Major Tom as Object falling away from Subject. The "black male" or "blackmail" photography is also "Vesta" as the excluded Middle.
One camera "shoots" from the Bright Face of a white man; one camera "shoots" from the Dark Face of a black man. The Two Brothers fighting: one Brother fixates his gaze on the things that appear, and one Brother on the things that do not.
Denial becomes the highest summit of America. Monetary debt accrues running races around the circumference. White Colonialist Towers built Without become Dark Native Towers destroyed Within. Inversion of the visible order.
The long arm of Justice will balance … or, "The Woman Satisfied" as Crowley says.
Bryce Williams, Brian Williams. Shooter on video looks like Charlie Manson's ghost ('but I'm not dead yet!') … "He said Jehovah spoke to him, telling him to act" -- Charlie's still small voice preaching Helter Skelter Jihad. “As for Dylann Roof? You (deleted)! You want a race war (deleted)?”
Duncan Donuts from the Eikon as the center of Old Money: Mariah impersonator Ariana Grande Latte is likewise a Hollow Star as Cybele's black stone eternally falling away from Adam as exteriorized center of the circumference (spinning donuts). Eurydice in Reflektion where she does not belong. Note also that Ariana's video is set on the "West Coast."
|RENEWED BY FIRE.|
In the realm of Greater Jihad, the flaming horos/hanging tree is heroic suicide for Runaway slaves from the tyranny of the camera. The key phrase is "Gun Control to Major Tom" as a call to reverse the flow of the dissipation of Nature (the Bleeding Lance of the Grail Mythos) -- i.e. Opus Contra Naturam. Finis.
GREATER AND LESSER KAVOD ("And I will take away mine hand, and thou shalt see my back parts: but my face shall not be seen").
|STAR TOURS (YOUR NEW HEROINE).|
Off to the Races.