Sunday, January 3, 2021
Saturday, November 7, 2020
27 essays taken from Groupname for Grapejuice from 2012 to 2015 plus one yet unseen introduction. Four hundred and two pages, seven major sections, their titles composing a Lovecraftian tale of seven lines.
Gorgeous original cover and interior art by Kaylee Pickinpaugh -- a new zodiac gyring out or spiraling into an interior empyrean of the Earth and transfiguring the whole text into a magic item. Endless curling details. Flanked by Moon and Sun, bridged at usura and Eleusis, shining throughout. Thoth and Pan.
Editing and layout wizardry by Alan Abbadessa and Jason Barrera of Sync Book Press. A melange of fonts, formats and letter dimensions: start it anywhere, bibliomantic and aphoristic. A tactile object that's exactly the right smoothness, size and weight in one's hands."
Astrologically interpreted, the designation of Christ as one of the fishes identifies him with the first fish, the vertical one. Christ is followed by the Antichrist, at the end of time. The beginning of the enantiodromia would fall, logically, midway between the two fishes. We have seen that this is so. The time of the Renaissance begins in the immediate vicinity of the second fish, and with it comes that spirit which culminates in the modern age.
The psychological concept of the self, in part derived from our knowledge of the whole man... cannot omit the shadow that belongs to the light figure, for without it this figure lacks body and humanity. In the empirical self, light and shadow form a paradoxical unity. In the Christian concept, on the other hand, the archetype is hopelessly split into two irreconcilable halves, leading ultimately to a metaphysical dualism the final separation of the kingdom of heaven from the fiery world of the damned.