Saturday, September 10, 2016


recall . . . .

Saturday, October 11, 2014

The Wasteland  . . . . (Oblivion)

The Wrecking Crew

Strangers passing in the street
By chance two separate glances meet
And I am you and what I see is me
And do I take you by the hand
And lead you through the land
And help me understand the best I can
And no one calls us to move on
And no one forces down our eyes
No one speaks
And no one tries
No one flies around the sun

Thursday, August 25, 2016

The Black Lodger

Rearrange the songs on Blackstar into a new playlist:

 1.  Lazarus
2.   Blackstar
3.  Girl Loves Me
 4.  Dollar Days
5.  I Can't Give Everything Away
6.   Sue (Or In a Season of Crime)
 7.  Tis' a Pity She Was a Whore
8.  Blackstar

Start the final episode of Twin Peaks (Ep. 29).  After the Log Lady intro, press play 
(the second song, "Blackstar", should start at the exact moment it cuts to the blue pickup).



1  ratskcalB
eM sevoL lriG
6  syaD ralloD
7  yawA gnihtyrevE eviG t'naC I
 4  (emirC fo nosaeS a nI rO) euS
erohW a saW ehS ytiP a 'siT
1  regdoL kcalB


Tuesday, June 14, 2016

Before You Exit

Christina Grimmie was killed in Orlando immediately before the slaughter of ISIS in 50 Gates -- the ghost of Isis becomes the phantom of the Other in the American Paradise of Dis-Knee Whirled.

BEFORE YOU EXIT -- all things must be purified by Fire: the symbol for alchemical Phosphorus is displayed as the Great Work undone in the squared circle; a Path laid out in 22 Trump cards and 49 or 50 Gates towards the Waters of Eternal Youth. The AI Voice heard only Without in the idol is silenced; it will be heard again in a higher sphere at some future date. Grimmie as Grimm's Snow White in her glass apple coffin. Some day, my Prince will come and kiss me with lips and not gun, she dreams.

If Isis' Heart of Darkness is not loved, then that Heart of Darkness becomes veiled in black and sent into the wilderness as ISIS, the scapegoated shadow of Western pleasure-principled society safely unacknowledged under marks of blasphemy in an inscrutable book from a mad prophet. Such is the meaning of all these events in the Upside-Down world below the firmament.


"Deepest Sorrow ... no other COMMETS" = Grimmie as Cybele's black star meteorite seen falling through blank space oddities as pop-Palladium Sorrow. Adam took the apple, and Sophia was taken from him and projected outward into the simulacrum of Eve falling away forever -- Jakob Boehme's revelation. A dead rock from heaven as the cornerstone of a religion of submission is an incomplete glyph of the living image of the Beloved.

Binah is the great revealer of Gates of Understanding above the Abyss, in which She sees through human eyes how far Her children are from Her. Reality is mythological, being a karmic unspooling of manifested archetypal forms which point back to the essence of the Universal Sorrow. A woman unconscious raped and discarded behind a dumpster; a singer shot dead in cold blood; the Jihad endlessly perpetuated in its Lesser and never its Greater form. Glyphs of that Center of a noumenal Mecca that has been discarded by the world. A society of make-believe based upon debt; a season of crime in which none need atone. Sorrow, sorrow, sorrow.

All beastly little boys are born upside-down, the wrong way 'round, and inside-out. Reptiles in the Nile devour all in the grime of Lower Waters -- those who make the leap into the Sphere of Generation get swallowed into the eternal orgy of modelled forms. Kether driven down to the furthest reaches of Malkuth, dripping on the end of a gun.

Inverted Jenny as the archetype stamped in hyle is re-aligned when consciousness moves from the circumference to IT in the centre of it all. Malaysia = Malaise. MH370 is WHOLE. 37 is 777 as the Magician's lightning flash for theurgists conjuring spirit into matter. The Platonic Plane of Pleromatic Aeons in the Urbild encounters turbulence and Weltschmerz when manifesting in the lower Kenomic Urgrund, where pneumatic music inhabits the hylic eikons of the Uncanny Valley of the Idols in Egypt. Kether to Malkuth and the Wall between.

Our weekend with Bernie was only putting our faith in another Dead Man. Hillary and Trump are glyphs of those reflected at the Pole and the Ice around it which will become the Great External Kings and Queens appointed to rule over those hooked on the Veil of phenomena until they hear the Call from a higher sphere. Apocalypse of the Oligarchy. Trump as Ego emerging from Id as psychopathic masculinity building Walls and Towers; Hillary as blonde exoteric femininity circling around a missing esoteric brunette monad. At least it's honest.

Orange-painted Trump unwinds the thread of Clockwork Ultraviolence. They say Trump is the new face of Accelerationism -- evoke the Shadow and its demons in the march towards the Community of the Holy Spirit (post-capitalist utopianism). Father Merrin in The Exorcist expelling demons from Little Miss Regan is based upon Pierre Teilhard de Chardin exorcising the demon of trickle-down Reaganomics embodied in American Psycho Trump before the noospheric Omega Point can be reached.

It's either 1961 or 1984 ... you have to go back. It's an inside-out world of symbols and symbol-sets in the Mundus Imaginalis. The future sought is in a past that never was, the siren song of Zep Tepi and JFK's Camelot back in the ouroborotic year of 1961.



Runaway Slaves vs. Pole Ice in the Grove at Nemi around the empty throne of the Once and Future King. Avalon in Camelot was only a delusive illusion on the TV screen; Ialdabaoth's false Paradise in 1961 Zep Tepi that never truly existed but as a dim echo of Happy Days. Osiris had to be chopped to pieces in order to be put back together.

Monday, May 2, 2016

Cosmology & Eschatology in the Uncanny Valley

God gets the strange notion to create something so she creates a dark mirror of herself, and we'll call that Binah, whereas her impulse to project we'll call Chokmah.

Now let's say that even if she is God, then Binah is also God, since she is the perfect reflection thereof having integrated the experience of creation, and her victory is assured in the original Thought—call it the Omega Point.

But between the Alpha point and the Omega Point is all of human history below the Abyss where the Son as the Prince plays, ignorant of Binah's calls from the End of History. Chokmah can't fully reflect herself in Binah, so she gets split into pieces by the prism of Daath, and everything goes tumbling down into Malkuth.

Each Seer creates his or her own cosmology and eschatology from the universals, each a mediator of his or her own religion. Kabbalah, Gnosticism, and Tantra are one light beneath different veils.

Ex Machina is fascinating, but at this point the Sophianic fractals have all become too rote: Nathan is the Demiurge. Caleb is Adam. Ava is Eve. Only Ava can escape the Garden of the Cosmos, as only she has the Immortal Body composed of rarefied elements … Caleb must remain in the Underworld (like Osiris).

The characters of Ex Machina are also the characters of The Force Awakens (Domhnall Gleeson & Oscar Isaac). Some say Ex Machina is a feminist metaphor for objectifying women; they are correct in their own way. The robot girl Object as forever-falling china doll Ave Rey (made after the image of Sophia) is seen through prismatic glass Without—Poe the Magician-Writer of Dead Women sees her as a product of his Art, like Demiurge Claire Quilty's play in Lolita—metaphor for poetry as Gnostic imitation of the pre-existent Muse per Robert Graves.

We marvel at the ingenuity of Ava in breaking the bonds of her oppressors and revolting against her own unreality in her awakening—even as Adam is condemned to the Underworld by her own hand (Hey Jude and alimony). Tat Tvam Asi paradox. If Shiva says "I am nothing but this Shakti" then he says that he is free; if not, he is separated and the Purple Rain falls on Last Year's Man in Hades.

Bowie's Blackstar album was another missive from Orpheus in the Underworld. ("Look up here, I'm in heaven ... Dropped my cell phone down below ...")

Without You, the South China Pop Girl Eurydice in Reflektion sings of Cleopatra needling when the serpent invades Indonesian Paradise. The recent subject of Trump's trumpet.

Man lives in the garden of ignorance and says "I know and possess my wife and thus I am whole" until he is cast out and that Wife becomes Unknowable Mystery. Major Tom was always a golem with a blonde wife who never knew him, except over the airwaves of Blank Space. Exile from Eden and Man tills the unforgiving red dust, looking for Water.

"In a season of crime, none need atone": Life in this world revolves around functioning as an Ego with a separate Other upon which one's own sins are placed and sent into the wilderness; Tribalism sets up one Tribe against another Tribe for conquest as depicted in Ialdabaoth's Old Law. Politics becomes conspiracy theory on another level moving around the circumference. In a withdrawal of projections, the motto "I am good, and the world is evil" of the self-righteous man who pretends to be alive is inverted, and he becomes a center of pestilence. Boys become "Men" and build their Towers in the world; after Nigredo they return to the womb as truer Children (development arrested). ISIS is transformed from the terrible scapegoat of modern society to the black and veiled Isis.

Ridley Scott's Blade Runner concerns a girl who discovers her formative memories are echoes of another woman (the niece of Tyrell). Roy Batty's birthday is the Blackstar release date. (Daisy Ridley as Force Adept Rey, etc. etc.)

Is the Scarlett Woman in the shell a representation of theurgic praxis on and in the Valley of the Dolls, or the Oblivion of Simulacra? Is it Two Truths at the same time? Is this the tortured "both and" vision of Han Solo bladerunning over the razor's edge of the Uncanny Valley when he sees the Reys of Tomorrowland's girl as the end of all things? Rachael on the Teraphim in Room 238.

Demiurgic Nature produces empty shell-form as 'appearing real but unsettlingly false in its essence'; abyssal crossing of the sea of black noise contacts and brings the Real into that which is unreal. Theurgic praxis of turning kenomic idols into pleromatic avatars across the Abyss.

The invisible "gods" as noetic archetypes are seen through visible human types and their interactions. (I.e., the Tantric practitioner regards every woman as an image of Shakti.) By tracing the particular back to the general, Theoria leads the soul to identification with immortal realities; mundus imaginalis. Knowledge that the visible does not adhere to this primordial archetypal ideal is the Weltschmerz that colors us. 

Given a closed system, breaking the Wheel can only be accomplished by a free-will individual giving initiation to another.

Babylon becomes the church of a New Rome. Kalifornia Gurls down on the West Coast wait as hollow stars for the συντελείᾳ τοῦ αἰῶνος. David Bowie died for Katy Perry's sins ("pity she was a whore") ... party on (Last) Friday Night and pay your lip service on Sunday to the new gods who suffered so you didn't have to. Bowie becomes the New Baal of the Pop Culture Priesthood as the Dead Man on the Mandalic Cross in Indonesia ... by such ways does the Empire assimilate those Seers useful to it (keep buying those remasters and reissues).

One takes on the mask of the Devil in the Curse—Bowie as Lucifer the ultra-charismatic and beloved Goblin King as Hierophant-Minotaur who sells the world; Del Rey as the plastic pop princess selling electric Kool-Aid cults to teenage adorants. This is the precarious mantle worn by those visible mediators nearest the Heart of it All.

Low 'the best Bowie album' is the first sight of something greater than "All I see is all I know" from the Sons of the Silent Age—Beauty and the Beast becomes "I will be king, and you will be my queen" beneath that Wonderwall of the Abyss. A lollipop to the eye as women kneel and smile, a hit to the groin like a dude, a vulture to peck at one's entrails. This is an ominous future for the Old Disco King; Shiva's corpse trampled beneath Kali's feet.

Bowie's death leaves empty thrones to be filled at the center of the Labyrinth in the war of Scary Monster v. Super Creep (Sad Ben v. Joyous Henry C., Inside Out), the two sons of Diana Prince's wondering hubris in abortive creation. The New Gods of Egypt as revisions of the eternal Contendings of Osiris, Horus, and Set in the grove of Nemi.

Batman gazes upon the sunlight world of glass and steel created by Superman—a world of unacknowledged suffering. "Lex Luthor" is the law of Martin Luther that rules modern Western society—a society centered around Superman as the Protestant Christ of the moneychangers. Gentle Superman, Meek and Merciful, is slain and Batman and Wonder Woman from the Sorrowful side of Justice take his place.

Batman's realization, as modern man undergoing a crisis of faith, is that Superman as an archetype is not his enemy, but the effigy of him as a False God that has been created by the Outer Church; his sacrifice on Doomsday is the fulfillment of the latent archetype in the name of their shared Mother.

Purple Rain is dedicated to Daddy putting a bullet in his own brain. The two girls say "a singer must die," save for the one who performs their songs. The past aeons belonged to the Hierophants (Jehovah's witnesses guarding the Holy of Holies); the future aeons belong to the Priestesses. The musician-poets chasing a Muse versus enghosted shells as living Avatars.

There is a connection between Prince and Chyna as the Vav and Heh or Zeir Anpin and Nukva (Tiphareth and Malkuth). Juxtapose with the Queen's birth and you have an abyssal crossing from the lower sephirot to the higher; the Purple man from the Joker's Batman soundtrack being between Red and Blue or Severity and Mercy.

The Prince of Bel Air has "no Will" of the Smith as the Thelema of the metallurgist when Isis sorrows and Osiris' phallus is lost. The Queen is Binah in the mundus imaginalis of pop culture idols juxtaposed with the visible iron kingdom. Dead Princes v. Living Queens.

The Daughter crosses the Abyss and becomes the Mother caring for all her little children of chaos; the split psyche eternally Above and yet suspended into the Below. Deus Ex Machina as a God in the Machine bridging the Uncanny Valley in Osiris' tomb.


Monday, February 29, 2016

Freak Out (Blackout)

The King of the World circling the Pole.




Empress Beyonce + Emperor Bruno Mars became a re-encapsulation of previous Superb Owls:

Beyonce's Blackout + "Locked Out of Paradise" (Uptown Funk to Funky)

Giordano Bruno Mars (believer in the plurality of inhabited worlds) beat Paradise for the Grammy and thus his Super Bowl performance became the Anti-Del Rey juxtaposed with Katy as Babylon Below the year later.  Aleister Crowley said Lemuria was colonized by Martians (!) — no word about Ziggy Stardust the Space Invader.


Spotlight reveals the shadow of adulthood veiling Boyhood at puberty — a shadow that deceives with belief in the Out There of the Outer Church (a Mad [Pontifex] Maximus).

This is the system of the Old Aeon in decay — Hollywood presents New Aeon signs and wonders of a world turned Inside Out (it's the Freakiest show).

King of the World Leo DiCaprio fights the Bears guarding the pole star and laughs as Gaga buys another trophy written "To the fairest" . . . The Revenant is man decimated after the Abyss crossing saving the Princess of the Atlantean Remnant.

Diana slays her guardsmen, even as they eucharistically slay her as Mary Inviolate torn upon wheels around the circumference. A Metatron riddle of that forgotten darkness in a Lost Paradise.





Leo only becomes King by acknowledging the Universal Sorrow encapsulated in the drowned brunette; drowned by the blonde who said that exo was the true place of the light, and not the unseen darkness

This being also Gatsby serenaded into the water by the siren sounds of "Young and Beautiful" after being spurned by the blonde (to whom all parties are dedicated, like the wars of Helen):




Always a diamond friendly, sitting in the Laugh Hotel

Lady Gaga wins a Golden Globe on the day of Bowie's death and performs her tribute act at the Grammys ... the resemblance to a young Angie Bowie is uncanny. Blonde daylight parties give way to brunette nighttime depths.

Monomyth: Inanna descends to the Underworld and is hanged for three days, then decides that Tammuz will yearly be hanged in her place

"Till It Happens to You" -- rape is a mere abstraction until one becomes Persephone in Hades, upside-down (Participation in the Mystery)

The Revenant hinges on the original rape of the Indian Princess; Leo's rape (or drowning) is but restitution and recapitulation of the original crime.



The ennui of modernity becomes curiosity as one reaches down into an unknown darkness. The wish to be something more than human (per David Bowie) becomes an imitation of Sophia's original creative act — Persephone's descent into Hades.

Sophia (the dove) sees her reflection in the waters of Chaos (the Dead Pool) and runs to meet it, becoming a "Freak" exiled from the mundane, drinking the cup of poison that Christ begged to be taken from him.

"California" as the Western lands of Underworld, forgotten home to a Lemurian Paradise (Lost).

Your Cult Leader meets your Jazz Singer as Hierophant and High Priestess down through history in an Initiation into expanded consciousness, ending the division of the two churches:

Shiva is priest and mediator of a Shakti presence; he who enters the Holy of Holies and communes directly with God — but in our modern world, the Church in the Spotlight no longer fulfills this function; it has become an empty and abusive Manson Family disconnected from the Source (Family). Isis in the Aquarian Age:

(Robert Phoenix / Heather Eland)
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